Explore the HOG:
We should all wear Surgical Masks

The Chinese do it. And everybody knows they are on to something . The casual nature with which we in Europe and America treat everyday diseases, sharing them willy-nilly as if they were Christmas gifts, is somewhat worrying. Most Chinese wear surgical masks not to protect themselves from others’ communicable diseases, but to protect others from the disease they themselves have. This for me suddenly casts a much more noble light on the silly appearance they have as they go about their daily lives looking like a bunch of deranged surgeons.

Recently I worked on a film shoot at a waste disposal landfill. If you’ve never been to one, they are the most hideous example of human beings shitting all over our planet I’ve ever seen. Mounds of earth are literally piled on top of rubbish every day, in an enormous basin full of hills of previous dumps. The town of Diamond Bar, California, and dozens of other suburbs like it, are built upon landfills. Allegedly they make great golf courses too. This experience had the crew breathing in deadly toxins all morning, until rescued by the local ‘caretaker,’ a man whose life is apparently spent on this site. This brought to light how useless the cheap facemasks that you can buy in corner stores are. Only when the caretaker issued us a much more industrial breathing apparatus, ‘scented for our pleasure,’ did I realise just how noxious the gasses around such a place could be. Fortunately this experience did not leave me in rigor mortis, but another much less dramatic one very nearly did. After an 11-hour plane journey next to a coughing Welsh woman and her sickly children, which not only disturbed my sleep but felt like an episode of a Charles Dickens novel, I experienced a week of suffering what my girlfriend insisted was just ‘man cold’ but in fact felt closer to the bitter last throws of the black death. I cannot help but feel nothing but anger at this woman for doing nothing more to protect me from what she clearly knew was a contagious cold. As a sidebar, why is it that men, who can endure such physical pain, are so weakened by the common cold?

At this moment, I am suddenly very acutely aware of the hypochondria in my family genes that I live in denial of now shedding its ugly head. I used to have a grandmother who would never touch or kiss you when you went to visit her for fear of catch your cold, my father has to have all his vegetables boiled because of his ‘weak stomach,’ and my sister is never 100% healthy. A lot of this is after all just paranoia. Last year, during the N1H1 scare, my stepmother quarantined my brother and sister for a week after their return from an ‘infected area.’ (In this case, the British Isles) The poor duo had to sit in a locked living room watching bad movies for a week, whilst their mother delivered ‘rescue meals’ to them, which she left on the doorstep, wearing a surgical mask, and then fled before they retrieved the food, in a scene not too dissimilar to the film ‘Outbreak.’ In case you are wondering, neither of them, of course, contracted Bird Flu.
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So perhaps I am just venting. Maybe there should be a line between the willingness to get infected from your friends and loved ones, but the need to separate yourselves medically from strangers. Which is maybe why I was ok with passing on my nasty lurgy to my girlfriend, but feel that if you are suffering, it is your responsibility to shield your ailments from people around you, or at least make them aware of it, especially on long-haul flights. And so I return to that spluttering Welsh mother: May she rot in hell.

Nick Drake

Anticipating another forgettable Friday night out, last weekend, beer in hand, I switched on the TV to get me in the mood. Three hours later I was still watching BBC 4′s special on Nick Drake, the elusive English folk singer, who I’m sure you all know. Usually I would run a mile from red-bearded hippies and organic, stripy-tighted troubadours. But the tribute concert to the man was actually very touching -- seeing the elegant lady tapping on the piano, the strings in harmony behind and the singers with almost trance-like immersion. But above all, his songs -- each one reminding me of something I cannot put my finger on -- perhaps those breezy descents into New Town, of some sort of diminishing youth. Drake never expected his songs to be successful; more used to disinterested glances whilst performing in bars, he quit performing live before he even started. Happiest in the nostalgic confines of Cambridge, where he studied English literature and took mischievous pride in missing lectures, afterwards he couldn’t cope with the outside world. Riddled with growing insecurities and fears of failure, at 28 he eventually had to flee London and return to his family home in the countryside, where his mother found him dead one morning in his childhood room. Luckily for us all, by then he had recorded 3 LPs in an insignificant London studio, culminating in his chillingly sombre and introspective ‘Pink Moon’, where the bright, breezy strings had been stripped down to man and guitar. Now celebrated the world over by songwriters, students, artists, filmmakers… Nick Drake is a mainstream music icon.

LA

“Cities are distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.”
- Jean Baudrillard

“Los Angeles is just New York lying down”
- Quentin Crisp

“I love Los Angeles. I love Hollywood. They’re beautiful. Everybody’s plastic, but I love plastic. I want to be plastic.”
- Andy Warhol

“I’d move to Los Angeles if New Zealand and Australia were swallowed up…

I Know Now Why You Cry

Last week I watched Terminator Salvation, sat mostly submerged in a frothy bath of water with 4 lit candles and a glass of Banrock Station Cabernet Sauvignon (£7.99). Immediately a number of questions should be entering your mind.

Firstly: “What on earth is Simon – a man of no small stature with a testosterone count roughly equal to the cast of Predator – doing immersed in the sort of scenario you‘d encounter in an episode of Sex & The City?

Secondly: “£7.99 for Banrock Station? You’ve been ripped off mate”

Thirdly: “I wonder what Simon looks like naked?”

Fourthly: “How…

2000 – 2010: splintering scenes

Just reading this Guardian piece debating whether Pitchforks 200 albums of the decade is a significant list that we should take note of. The answer for me from both a music fan and cultural observer angle is yes definitely. Those guys went beyond the guitar based music with the odd exception mindset that the NME and Q had to one where any album, whether it was from a Norwegian disco producer or Brooklyn 4 piece was listened to and assessed on a level playing field.

I’ve got to be thankful to them for some of my…

EXCLUSIVE Norman Jay uncut interview

“Success has no taste, or smell, and when you get used to it, it’s as if it didn’t exist” says Huma Rojo in Almodóvar’s Todo Sobre Mi Madre. Tragically insatiable as human beings may / may not be, Norman Jay MBE seems momentarily appeased: “The Queen could have given me a chocolate biscuit, I’d still be happy”, he says, departing for once from his slick media-type tones into a 1970s Nottin’ ‘ill bubble.

Norman Jay, veteran DJ of house with a black flavour, is also co-founder of Kiss FM, the only black DJ to be awarded an MBE, and has…